So, which are the rarest Warhol covers?

Like most collectors of Andy Warhol’s record cover art, I follow the covers advertised on Ebay. All too often sellers call their object “the rarest Warhol cover”. Niklas L challenged me to make a list of what I considered to be rarest covers. I thought I’d list the Top 20 rare covers. It is, of course impossible to rank them exactly, but here is my first attempt, keeping official releases and bootlegs apart. I hope publishing this list will stimulate readers to criticise and comment.

a. Official releases

No.

Artist

Title

Comment

1

Various Artists

 

Progressive Piano

Rare because it was probably never released. Lithographs of the cover design exist, however.

2

Frank Lovejoy

 

Night Beat

Probably only 1 known copy

3

Andy Warhol

Giant Size $1.57 Each

Available in four colour variations. Black on white background (edition of 75 signed and numbered), black on yellow (edition of 75 unsigned, unnumbered), Black on green (edition of 75 unsigned, unnumbered) and black on red (edition of 75 unsigned, unnumbered)

4

Century Symphony Orchestra

Waltzes by Johann Strauss, Jr.

 

5

Ultra Violet

 

Ultra Violet

Most copies seem to be cut-outs

6

CBS Radio show

 

The Nation’s Nightmare

Possibly 2 colour variants, one brown and one more grey.

7

Arthur Fiedler & Boston Pops

Boston Pops Latin Rhythm

 

8

Johnny Griffin

The Congregation

Original Blue Note LP

9

Jan Smeterlin

Chopin Nocturnes (Complete)

2 LP set in slip case

9a

Jan Smeterlin

Chopin Nocturnes (vol 1)

Single LP

9b

Jan Smeterlin

Chopin Nocturnes (vol 2)

Single LP

10

Wolfgang Amadeus Mozart

4 Divertimenti

 

11

RATFAB

 

Det brinner en eld / Mörka ögon

Sweden only single

12

John Wallowitch

 

Another Side of John Wallowitch

His first album is easier to find

13

Walter Steding & The Dragon People

The Joke / Chase the Dragon

 

14

Cool Gabriels

 

Cool Gabriels

 

15

Moondog

 

Story of Moondog

Original on Blue Note

16

J. J. Johnson, Kai Winding & Bennie Green

Trombone by Three

16 RPM version on Prestige

17

Margarita Madrigal

Madrigal’s Magic Key to Spanish

More valuable with the book

18

Various Artists

MTV – High Prority

The version with yellow shading to the MTV logo

19

Velvet Underground & Nico

Velvet Underground & Nico

Original ”Torso” back cover

19a

Velvet Underground & Nico

Velvet Underground & Nico

”Torso” cover with black sticker

20

Art Gallery of Toronto

Cronenberg on Warhol

Limited edition CD – 2 copies have surfaced to date.

21

Jeanne Moreau & Günther Kaufmann

Each Man Kills the One He Loves / Young and Joyful Bandit

7” single

 

 

Bootlegs

 

No

Artist

Title

Comment

1

Rolling Stones

Emotional Tattoo

Some copies have orange vinyl

2

Velvet Underground

Screen Test: Falling in Love With the Falling Spikes

There are three colour variants of this release: one with a blue flower, one with a black and white cover and a re-release with a red cover

3

Velvet Underground

Orange Disaster

 

 

 

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More Warhol…

It has been a great week for my collection of Warhol covers. Forst I received the two CDs that Frank Edwards told me about. First, the Tobias Picker / Marc Bliztstein CD “Keys to the City / Piano Concerto”. This CD uses Warhol’s poster design for the Brooklyn Bridge centenary in 1983 as its cover image. Tobias Picker pianist and composer apparently has Tourette’s syndrome. But this doesn’t seem to affect his musicianship. He wrote the piano concerto “Keys to the City in 1982, when he was 28 years old, and it won the competition. Marc Bliztstein (born 1905-64) wrote his Piano Concerto in 1931. Bliztstein was murdered in Martinique in 1964.

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Warhol's poster for the Brooklyn Bridge Centenary 1983.
Warhol’s poster for the Brooklyn Bridge Centenary 1983.

Second, Karl Aage Rasmussen’s “Three Friends”, has Warhol’s picture “The Anunciation” on the cover. This image came from Warhol’s series of Renaissance Details published in 1984. Rasmussen (born 1947) wrote “Three Friends” in 1995 and this recording was made in Esbjerg, Denmark, in May 1998.

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In addition, my copy of Prokofiev’s “Alexander Nevsky / Cantata #47” with the orange cover arrived today. It has the late pressed Columbia 6-eye labels with the word “unbreakable” to the left of the spindle hole indicating it to be a late pressing. As I have already stated in an earlier post, the 6-eye label was used on Columbia Materworks pressings between 1955 and 1962. The placing of “unbreakable” to the left of the spindle hole indicates that this LP was probably pressed nearer to 1962 than to 1955.

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Other copies of this title with the same orange cover that have appeared on Ebay alla ppear to have the same 6-eye label. This supports my thesis that the various cover colour versions are probably later pressings than the original blue colour cover. I would be interested to know whether the green and pink cover versions have the 6-eye label or the original dark blue “masterworks” label. Perhaps readers could let me know.

The “yellow” MTV High Priority cover, André Heller’s “Stimmenhögen” and a rare “Alexander Nevsky”

Some time ago founder member of the Warhol Cover Collectors Club, Kevin Kinney, found a variant of the “MTV – High Priority” LP cover that few, if any, of us knew existed. Instead of the red shading to the MTV-logo on the front, the shading was yellow and the titles along the top of the front cover were in black print instead of white, red and blue. I’ve been checking every copy that I have seen on Ebay looking for a yellow version but to no avail. Then one came up a week or so ago and I was about to “buy it now” when it disappeared. Fellow collector Niklas L had seen it first and nabbed it! But, having sent Niklas some of my fabricated “Progressive Piano” and other covers for his collection he very generously thanked me by sending the yellow “MTV – High Priority” album together with André Heller’s “Stimmenhögen” LP. Even this turned out to be unusual. Two versions were listed on Rate Your Music – one on the Electrola and one on the HMV label. The copy Niklas sent me was also on the HMV label, but with a completely different catalogue number from those listed on RYM.

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The only reason to have the Heller LP is the fact that the booklet inside the gatefold has a little Warhol drawing on one page (pictured above). In 1981 Heller was photographed by Warhol and two Polaroids from this session were recently sold by Christies.

Two original Polaroid prints of André Heller taken by Andy Warhol in 1981 recently sold at Christies.
Two original Polaroid prints of André Heller taken by Andy Warhol in 1981 recently sold at Christies.

The picture in the lyric booklet is probably Warhol’s portrait of Heller which, judging by Heller’s pose with arms crossed must have been done on that occasion. It fits with the Polaroids, which show him bare to the waist, arms crossed and wearing leather trousers. I suppose Heller chose to include the drawing to show that Warhol had done a portrait of him. I do not suppose that Warhol did the drawing specifically for this record cover. One could argue that the Swan Lake and Daphnis & Chlöe albums from 1955 with Warhol drawings fall into the same category, but Warhol did those drawings specifically for the albums and they illustrate the ballet content. However, one could say that the portraits on the covers of many albums definitely listed as being Warhol covers (Aretha Franklin, Billy Squier, Paul Anka, Liza Minnelli, John Lennon etc.) were not painted specifically for the record covers. So do I include the Heller album as a bona fide Warhol cover or not?

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An unusual copy of Prokofiev’s “Alexander Nevsky” LP came up on Ebay last week. This had the original 1949 cover design but with orange colour blocks. I have previously seen blue, green and pink versions, but never an orange one. and I wonder if the colour variations were later pressings of the album. This one definitely is. The record has Columbia Records’ “6-eye” label rather than the Dark blue Columbia Masterworks label used since the introduction of the LP in 1948. According to Ron Penndorf’s Labelography the grey”6-eye” label was introduced in 1955 and phased out in 1962. As may be seen from the label picture, the designation “Unbreakable” appears to the left of the spindle hole, indicating – again according to Labelography – that this is a later pressing; probably late fifties or early sixties. I find it fascinating that Columbia chose to keep the original cover design from 1949 on this repressing rather than commission a new cover.

More Damien Hirst record covers

Damien Hirst has not yet designed many record covers. So far I have identified only twenty-three. I am primarily interested in those covers released on vinyl, but for completeness have also included CDs in my list on http://www.rateyourmusic.com (http://rateyourmusic.com/list/rockdoc/damien_hirsts_record_cover_art/). There are three quite rare vinyl issues: The most soughtafter is “Use Money, Cheat Death” by Damien (spellt on the record as Damian) Hirst that uses the Kate Moss portrait with half her face dissected away as the cover image. This picture was originally on the cover of the February 2006 issue of TAR magazine. The other two rarities are Dave Stewart’sGreetings From the Gutter” and the original release of Joe Strummer & The Mescalino’sRock Art & the X-ray Style“, which has since been re-issued on vinyl with the same cover.

Three new Damien Hirst covers have been released so far this year. In May the group 30 Seconds to Mars released their fourth album “Love Lust Faith – Dreams” with Damien Hirst artwork. Quite pretentiously, they have released the album in three formats – a standard CD, a Super Deluxe Pack (price $295, and includes double white viny LPs a 100-page photo book, lithographs and an autographed CD) and a Super Duper Deluxe pack (price $999, which includes all the stuff in the Super Deluxe pack plus a pair of drumsticks, plectrums, a t-shirt, triad USB and a personalised message from the band.)

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British group Babyshambles released their fifth full length album on 2nd September 2013 with cover art by Damien Hirst who used a photo of the band taken by Pennie Smith (who, you will remember, took the photo of The Clash used on their “London Calling” album.) NME reports on how Hirst came to design the cover “bassist Drew McConnell said: “It happened kind of naturally and in the spirit you’d hope for. We asked Damien to suggest someone to put something together, then to our amazement he offered to do it himself. The fact that he used a pic taken by Pennie Smith, who shot all those iconic photos of The Clash (Damien’s old pal Joe Strummer’s band), just makes it make even more sense.” “Nothing Comes to Nothing”, the first single from the album also comes in a Damien Hirst designed cover.

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Babyshambles_Nothing_7"

It has been a busy weekend

I blogged about my longstanding project to make mock-ups of rare or unobtainable Warhol covers and this weekend I realised my plan. I have made a number of copies of covers for the “Progressive Piano” album – as a 10″ LP, as well as single and double 7″ EPs and also covers for The “Waltzes by Johann Strauss, Jr.” EP. I have made two versions of this cover, one that includes the “Printed in U.S.A.” test at lower right and one that does not. I also amused myself by attempting to make reproduction “Nation’s Nightmare” covers. This side project proved more difficult that I had anticipated and I was satisfied with the result only after three rather ragged versions. But, the cover looks to be in far better condition than my original! I have managed to Photoshop out many of the marks of wear and tear and these covers have no edge splits. I could not resist the temptation to make a copy of the RATFAB cover, Just for fun.

I bought the box set of the “Warhol Live / Andy Warhol – The Record Covers, 1949 – 1987” when it was forst published in 2008. But my copy mysteriously disappeared a couple of years later. Frank Edwards supplied me with a replacement copy of “Andy Warhol – The Record Covers, 1949 – 1987”, for which I am eternally gratreful. But I missed the “Warhol Live” book. So I invested once more and the new set arrived  yesterday. It really is a beautiful and interesting read. There is so much information that I had never known. It is worth checking out.Image

An addition to my Peter Blake collection.

Sir Peter Blake is best-known for the cover to The Beatles’ “Sgt. Pepper’s Lonely Heart Club Band” album which he designed together with his then wife Jann Haworth and photographer Michael Cooper. In the forty-six years since that cover was released, Peter Blake has only designed 22 more covers of which 19 were actually released. One of the better-known released covers is the design for the “Do The Know It’s Christmas” single, released in 1984. What is less well-known is that Peter Blake also designed the poster and programme for the Live Aid and Live 8 concerts.

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Until last month, I had not heard that he had also designed the cover for Q Magazine’s February 2006 issue that published a list of the 100 greatest albums of all time.

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A copy of this classic Peter Blake design arrived last week, complete with targets, flags, drink logos and pictures of the record covers, so that I didn’t need to open the magazine to see that Radiohead’s “O.K. Computer” was voted best album of all time. By the way, it’s not an album I like at all.  Peter Blake is quoted in the magazine as saying his favourite is Talking Heads’ “Remain in Light”, but that isn’t in Q’s list.

Another piece of useless information is that Peter Blake is, to my knowledge, only the second cover designer to actually appear on a cover that he had a hand in designing. He apears, dressed as Moses, on the cover of Madness’ de luxe compilation “Oui Oui, Si Si, Ja Ja, Da Da”. The other artist was Martin Kann, a Swedish designer responsible for most of the cover art for the Swedish band bob hund. He put himself on the cover of bob hund’s 1996 album “Omslag: Martin Kann” (literally – Cover: Martin Kann). I know that Andy Warhol’s portrait has appeared on several covers, but none on which he has had a hand in designing.